Pixelation and Night Portraits
I use pixelation to partially obscure the identity of the sitter, therefore the piece can only be completed by the viewer's own projection of narrative onto the painting.

Portrait Studies
Through the manipulation or removal of context I aim to question the sitter's identity and the viewer's perception of the sitter.

Christian Limitation
In this series of work, I depict the religious limitation manifesting itself physically by disfiguring the human form.